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Tuesday, September 01, 2009

Please welcome our guest blogger - Cheryl Norman!








Hiding Behind a New Identity
by Cheryl Norman



For my newest book Reclaim My Life, I had to research the Witness Security Program because my heroine, Sofia Desalvo, is hiding from a contract killer. One of my best resources was the book WITSEC - Inside the Federal Witness Protection Program, co-written by the program's creator Gerald Shur. Although most protected witnesses are criminals, too, the program offers protection for the innocent witness as well, like Sofia.



Everything I’m about to relate happened to Sofia a year before the beginning of Reclaim My Life (what we writers call "backstory") and won’t spoil the story for you.



After Sofia reported the crime she witnessed, the police learned the suspect was part of a larger investigation by the feds. Moved immediately to a temporary safe house, Sofia met with personnel from the U.S. Marshals’ office for a pre-admittance interview. Once the U.S. Marshals determined her to be a candidate for the WitSec program, they paired her with a handler, in this case Special Agent Cory.



Working with several government agencies and under total secrecy, Sofia was given a new identity and all supporting documentation for her new persona. First they moved her to Athens, Georgia, to enable her to complete an accelerated degree program. Relocated in a new town—Drake Springs, Florida—where she was unlikely to be recognized, she secured a job and a place to live, helped in part by reasonable financial assistance for living expenses. In exchange for all the tools necessary to create her new identity as Elizabeth Stevens, English Professor, she had to agree to adhere to all rules and guidelines of the program—no easy task. But following the rules keep witnesses alive.



The strictest and most vital rule is no contact with anyone from your former life. According to the U.S. Marshals, no one who adhered to the rules has been killed.



While Sofia/Elizabeth followed the rules to the extreme—enjoying nothing or wearing no clothing or jewelry she loved in her former life—she was lonely and isolated. Eventually, she made new friends but with reluctance, knowing she could be ripped from her new home and relocated with no notice if her new identity was compromised. Not a day went by that she didn’t look over her shoulder or wonder if she’d somehow betrayed her identity. Scrupulous and honest, she felt like a fraud, yet she became adept at lying. Lying kept her alive.



As you can tell by the title, more than anything Elizabeth wants to reclaim her life as Sofia, before a murderer and racketeer drove her into hiding. But can she? Reclaim My Life is a new romantic suspense from Medallion Press. I hope you’ll give it a read.
 

Wednesday, August 26, 2009

We are back!!!

The site is back up thanks to the wonderful site admin ladies!!! You guys are awesome!!

Next order of business, a new guest blogger, just for you guys!!! Cheryl Norman will be joining us on September 1st! Be sure to join us!!!!

http://cherylnorman.com/

Monday, August 17, 2009

Pardon our Construction!!!

The Romance Reader's Connection has hit a new high! We had so many viewers to our site, that we overloaded the server! Thanks to all the fabulous readers who come to see what we are reading! Temporarily, we are down. However, we are hoping to be up and running very soon and will keep you all updated on our progress as we switch to a new server.

Thanks for your patience!

Thursday, July 02, 2009

GUEST BLOGGER: VICKI HINZE




IS WRITING WORTH IT? Yes, When You Write from the Heart






As writers, we often ask ourselves if writing is worth the sacrifices it takes. We often wonder if we should keep writing or stop. We often wonder if we’re going to get to the end of our life and look back with regret that we spent it as we did.






If you’re like most writers, you’ve wondered these things and more. And if you’re a people person you’ve no doubt asked yourself this type of thing even more because writing requires you to spend so much time alone.





For many writers, it’s a dilemma. But it’s one I’d like to solve for writers today through two examples.






A few years ago, a close online friend was dying. I was one of many writers called on to send messages to her. And I’m telling you, that was the toughest writing I ever did. So tough that right after her passing, I wrote an article about it. I’m sharing it here so that you get the full grasp of my thinking on this dilemma.










The article is the first example, and it follows:






There are times of uncertainty and doubt in every writer's life. Times when all the hard work, the frustrations, the efforts, and the isolation inherent to executing the craft seem to narrow to one question in the writer's mind: Is it worth it?

Is it?

We give up our hobbies, or limit our time investment in them, to focus more intently on developing our skills. We lower our standards in areas of our lives that we once had adhered to fastidiously. Now, we consider it far more noble to ignore chores in our homes to study, so that we might get past that psychic distance challenge we're facing in Chapter Three of our current Manuscript-in-Progress. By necessity, we isolate ourselves from those whose company we enjoy--during deadlines, even from our families. We're confident that our dedication will propel us to success. Our investment is worth it. We will reach our goals.

And then something traumatic happens (our publisher ceases operations, our line at the house folds, our editor leaves) and we're tossed into a pit of despair where investment doubts return with unrelenting vengeance to assault us with that confrontational: Is it worth it?

We debate, mull, and consider. Discuss our uncertainties with our families, our peers, our mentors. We weigh and measure and, somehow, we adjust to our new circumstance, then focus on alternatives, on solutions, on new paths to explore. We endure. Our creative selves survive. And we again convince ourselves that we are spending our time wisely--and exactly as we must spend it. We are writers. Writing is worth the physical effort, the emotional investment, the sacrifices it demands. We go on, pursuing our dreams and working toward our goals.

As if being rewarded for our persistence, some small success (which seems large to us, due to our need) comes our way and we feel vindicated. The investment was wise, the struggle worth everything it took, and more. Confirmation smells so sweet and brings us such contentment.

Until the next time we're dumped into the pit and doubt assaults us.

Then we suffer a focus shift because Is it worth it? now has company. A new question lands on the scene to torment us: When will these doubts stop?

Obviously, I can't answer for everyone. But I can answer for me. My doubts ended on January 8, 1995 at 12:50 p.m. CST: the moment a beautiful writer named Suzanna died.

Suzanna exemplified my vision of a heroine. She was clever and courageous and beautiful, inside and out. Her battle with death was a long, hard one that she fought admirably. She inspired smiles, and she radiated strength.

In excruciating pain, two days before her death, Suzanna reached out to friends, saying she needed their strength. These friends were a group of writers on GEnie's Romance Exchange. I was one of them.

Most people are uncomfortable with death, and shun it. Writers are not immune to this discomfort, yet we rallied and wrote individual letters to Suzanna. I was very worried about writing this letter. Suzanna had been such a tower of strength throughout her illness. A person who reached out to help others, but rarely asked for anything herself. Now, she desperately needed support, and I didn't want to fail her. When I sat down at my desk, I knew I would be composing the most important writing of my life, and I wasn't at all sure I was up to the challenge.

I prayed for the right words, for the ability to link them cohesively and clearly, to say precisely what needed saying in the right tone and style to give Suzanna what she hoped to find on the page—strength. I prayed for competence, for the skill to convey a message of sincere support, but not of pity. Suzanna was far too remarkable a person to pity. And I remember being comforted because I wasn't alone. I knew all my GEnie sisters were composing their letters, suffering these same fears and doubts, praying these same prayers.

The decade's worth of studies and struggles, of time and effort, the wisdom gleaned from my many mistakes, my every trial—all merged inside me, and I wrote the letter. I did not use the word heal nor death—the time was near, we both knew it, and I would never insult Suzanna's intelligence or the courage she'd displayed by pretending otherwise. Yet I somehow was blessed with not being reduced to falling back on time worn clichés. I reminded Suzanna of all the kindnesses she'd shown others. Told her that she had made a difference. And I wished her peace.

Along with those of my GEnie sisters, my letter was read via phone to Suzanna. Within moments, I plunged into the pit of doubt. Had I said the right things? Said them the right way? Was the tone comforting? Would the strength she said she needed be there for her in what I'd written on the page? Again, I feared, but I wasn't alone. I knew that all my writing sisters were suffering these same doubts about their letters.

The next afternoon, I got that most dreaded call. In her husband's arms, at 12:50 p.m. Central Standard Time, Suzanna had passed away peacefully.

Peacefully.

My doubt died.

While I'll never know for certain if my letter had any part in bringing about Suzanna's peaceful passing, I do know that writers rallied and showered her with heartfelt support when she needed it most. And I know that she knew her life had value, that she mattered. I know because I told her. Many of us told her. There's a great deal of comfort in that.

And if I should never write another word, then every moment I've spent studying, struggling, and sacrificing to develop my skills still has been time well-spent.

In the length of one letter, I received indisputable proof that, yes, it is all worth it.

The day Suzanna died peacefully.






The second example happened many years later. Actually, this past October—the 15th, in fact. That’s the day my mother-in-law found out she had three months to live.






After getting the news and leaving the doctor’s office, on the way home she saw the most beautiful rainbow she’d ever seen. And she wondered if it was for her—God’s way of letting her know that he was aware of what was happening to her.






I asked if she knew about the Rainbow Covenant. She’d been a Christian all her life, so I thought she probably did, but she didn’t relate it to her specific situation. I sat down and wrote The Rainbow Covenant and made it into a card and sent it to her.






She kept it close those last three months. This writing that I had done relaying promises made to all believers brought her comfort during the most difficult and challenging time of her life.






When she passed, the card was with her personal things, and now I keep it close and remember her. Her courage, her faith. I read the words I wrote and remember her, and each time I see a rainbow, she and faith flood my mind.






The wounds are raw now from her passing. But to think that words relaying the promise brought comfort . . . well, it’s worth it.
As I discovered years ago, and rediscovered recently, writing can be worth whatever it takes. Like so much else, it depends on purpose and what is done with it.






I’m fortunate. Twice I have seen firsthand. And now, so have you. I ask myself, is writing worth the sacrifices it requires? I answer. Yes. When you write from the heart, yes, it is. For me that resolves the issue and it troubles me no more.






And so I share with you the reasons why it is no longer an issue, and I hope when the question arises in your mind, you’ll remember Suzanna. You’ll remember the Rainbow. And I hope you’ll write from the heart and feel the worth of your work, too.






Blessings,
Vicki
Vicki Hinze
www.vickihinze.com

Tuesday, June 23, 2009

Interview With An Author - Marjorie M. Liu







1)Describe your creative process. Any rituals or specifications when you sit down to write? When do you prefer to write, and for how many hours daily? I think avid readers and aspiring writers are always curious about this aspect.



It varies from book to book, but I usually like to start early in the morning, before dawn, with me heading straight from the bed to the office. I sit down, work for a couple hours -- or until I get really hungry -- eat breakfast, check some email -- and then get back to work. I stop for lunch, then work for another couple hours, stop for dinner or a snack, work a little more, and then just sort of quit at the end of the day when I feel like it. It's a natural rhythm, but not set in stone. If I'm really on fire, I won't quit for anything, not even to eat. I just push through. But typically, I work anywhere from seven to fourteen hours a day, every day.No rituals. Just comfy clothes. Lots of water or tea. Anything to make me comfortable.



2)Maxine Kiss, the heroine of the Hunter Kiss series, is one of the most complex, dynamic, and interesting characters I have ever come across in Urban Fantasy. She has these incredible supernatural powers, yet is so relatable and realistic. Are there any autobiographical features in the character of Maxine?


That's very kind of you. Maxine is always fun to write, because she's so straightforward -- too much so, at times. Her social skills leave something to be desired, partially because she's been raised in a peculiar kind of isolation, always as an outsider. And because she hasn't dealt with that many people -- on a normal, human basis -- she's both shy and bold, confident in some ways -- and insecure in others.But as for autobiographical features...that's a tough question, in a way. I just write the characters as they come to me, without much conscious thought. I'm not as tough as Maxine, not by any stretch of the imagination, but we do have a shared fondness for cowboy boots, 80's music and pop culture, hot chocolate, and books.



3)How much of your life experience is woven into the Hunter Kiss series? How are your interests reflected in your writing?


I think that every aspect of our lives -- our experiences, no matter how small -- are woven into the fabric of our unconscious minds, and that's the place we draw from as writers. So if you want specifics -- I could say, for example, that I lived in Seattle for many years -- but the series as a whole has been developed organically, very much from the seat of my pants. I never intended Maxine to have a grandfather, for example, but Jack sort of...marched onto the page, for better or worse, and established himself in the thick of things.I will say this, though -- I've always been interested in science, and I minored in Bioethics in undergrad, with a similar focus in law school. Those kinds of issues are part of a long-running theme that can be found in many of my books, including DARKNESS CALLS.



4) In the novella, HUNTER KISS (available as an ebook), Maxine meets Grant and they begin to forge a relationship that is carried through into THE IRON HUNT. Can you explain the evolution of their romance and how it changes in DARKNESS CALLS?


As a romance author, I've always found it difficult to chart the evolution of a relationship in one book. Some writers manage it beautifully in a single go, while others set up characters over the run of a series until they receive their own chance to fall in love. The thing I find liberating about the Hunter Kiss series is that I can take my time with Maxine and Grant. Which might seem like an odd thing to say, as they meet in the novella, and are pretty much joined at the hip in THE IRON HUNT. But, as we all know, even if you fall madly and deeply in love with a person, that doesn't mean you both stop growing. It doesn't mean that what you have between you won't change -- for better or worse.For Maxine and Grant, I wanted to write something that was very quiet, a deep partnership between two people who share an intense friendship and trust. They love each other, passionately, but there's more to each of them than the other realizes -- and in DARKNESS CALLS I explore that further, especially in Grant's case. He's always known he was different from other people, but he's about to find out that those differences are far more profound than he realized. It's going to shake him up -- and Maxine, as well.



5) Anything else you would like to say about DARKNESS CALLS?



It was a blast to write. I go deeper into the mythology of the world, hopefully taking it in unexpected directions, and there's a little something for everyone -- time travel, genetic engineering, demons, psychic barmaids -- as well as that evolving relationship between Maxine and Grant, which is potentially...well...apocalyptic.




I also urge folks to check out the web-exclusive promo letter that I wrote to celebrate the release of Darkness Calls. It's a letter from Grant to the unborn daughter that he hopes one day to have with Maxine. Part three just went up, and can be found here: http://www.smartbitchestrashybooks.com/index.php/weblog/comments/exclusive-darkness-calls-teaser-part-iii-of-a-letter-from-grant-cooperon-by/